Draft:Eric Massholder

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Eric Massholder
Born(1960-12-12)December 12, 1960
Heidelberg, Germany
NationalityFrance, Germany
Known forPainting, Sculpture, Drawing
MovementSurrealism, Expressionism, Impressionism, Reneissance, Contemporary Art
AwardsSpecial Jury Prize, Montreaux Art Festival

Eric Massholder (born 12 December 1960) is a German-born painter and sculptor based on the French Riviera. His work, spanning painting, sculpture, drawing, and printmaking, blends influences from primitivism to surrealism and reflects a deeply personal iconographic language rooted in symbolism and allegory.[1]

Born in Heidelberg, Germany, Massholder first discovered what he described as “the alchemy of painting” in his youth. Travels through Morocco, Sicily, Greece, Turkey, and India profoundly shaped his artistic vision, inspiring an interest in diverse cultural traditions. In 1981, he settled on the French Riviera, studying at the Villa Arson in Nice before spending two years in Paris under the patronage of art dealer Frédéric Nocera. There, he worked with Anne Lettrée before returning permanently to southern France.[1]

Massholder’s Franco-German and Italian heritage informs his multifaceted style: he associates his Expressionism with his German father, his Impressionism with his French mother, and his love of the Renaissance with his Florentine grandfather. Deeply inspired by Van Gogh, Picasso, and Dalí, his stated wish to “give Dalí’s hand to Picasso” encapsulates his ambition to bridge artistic lineages while forging a distinctive voice.[1]

Recurring motifs—triangles, suns, moons, fish, peacocks, pyramids, sphinxes, eggs, and skulls—form a personal visual vocabulary exploring themes of life, death, society, and desire. Notable works include allegories such as the “shark,” equating the voracity of business with sexual power, and the “dollar-monster,” a critique of international finance. His series often reference literary and historical sources, from Van Gogh’s letters to his brother Theo[2], to Dante’s Divine Comedy, Homer’s epics, and Goethe’s The Green Snake and the Beautiful Lily.[1]

Massholder has exhibited widely across Europe, including in Heidelberg, Berlin, Frankfurt, Munich, Nuremberg, Brussels, Ghent, Lausanne, Venice, Paris, Strasbourg, Nice, and Monaco[3]. In 1997, he received the Special Jury Prize at the Montreux Arts Festival. His illustrated limited edition of Van Gogh’s letters has been acquired by major institutions such as the Musée d’Art Moderne et d’Art Contemporain (MAMAC) in Nice and the Centre Georges Pompidou in Paris. He is currently represented by Kamil Art Gallery in Monaco[4], a renowned gallery with more than forty years of experience.[1]

Early life and foundation of artist's vision

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Eric Massholder was born on December 12, 1960, in Heidelberg, Germany. He was born into a family with strong artistic ties. His brother, Frank Massholder, worked in cinema and gallery curation. His uncle, Jean-Louis Bertuccelli, was a French filmmaker known for collaborations with actors such as Isabelle Huppert and Michel Piccoli. Bertuccelli’s daughter, Julie Bertuccelli, later became a director.[1]

Growing up in this creative environment, Massholder was exposed to a range of artistic influences from an early age. Motivated by a curiosity about world cultures, he undertook extensive travels in his youth. His journeys included stays in Morocco, Sicily, Greece, Turkey, and India, where he studied diverse artistic practices. The time he spent in India, in particular, left a lasting impression; its colors, patterns, and spiritual traditions became important sources of inspiration for his later work.[1]

Education and beginning of the career

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In 1981, Massholder settled on the French Riviera, initially staying at his maternal grandmother’s house on the Côte d’Azur. The region’s landscapes and long-standing artistic tradition made a lasting impression on him and encouraged his decision to make it his permanent home. That same year, he enrolled at the Villa Arson in Nice, where he pursued formal studies in art.[1]

From 1987 to 1989, Massholder lived in Paris, supported by art dealer Frédéric Nocera, who provided him with a studio and residence in Vaugirard. This period allowed him to dedicate himself fully to his work. He also collaborated with Anne Lettrée[5], further refining his artistic voice. Although his years in Paris proved formative, Massholder ultimately chose to return to southern France, where he continued to develop his career.[1]

Artistic Style

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Massholder’s work encompasses painting, sculpture, drawing, and printmaking, and resists strict categorization. His Franco-German and Italian heritage informs the foundations of his style: Expressionist influences from his German father, Impressionist sensibilities from his French mother, and a Renaissance perspective inherited from his Florentine grandfather.[1]

A central aspect of his artistic philosophy is the idea of connection. Massholder seeks to create dialogues between movements, historical periods, and cultural traditions. Summarizing this approach, he remarked, “I wanted to give Dalí’s hand to Picasso.” This metaphor reflects his attempt to bridge surrealism and cubism, tradition and modernity, as well as the conscious and subconscious.[1]

His work is also characterized by recurring motifs that form a personal visual lexicon. Symbols such as triangles, suns, moons, fish, peacocks, pyramids, and sphinxes appear throughout his oeuvre, often as metaphors for broader themes. Eggs and skulls represent life and mortality[6], while figures such as sharks or “dollar-monsters” serve as critical allegories for capitalism and international finance. In this way, his art functions not only as aesthetic exploration but also as commentary on contemporary society.[7]

Massholder has also developed several narrative series that reference literature, history, and places of spiritual or cultural significance. His illustrated edition of Vincent van Gogh’s letters to his brother Theo reflects on the inner life of the painter. Other series have been based on Dante’s Divine Comedy, Homer’s Iliad and Odyssey, and Goethe’s The Green Snake and the Beautiful Lily. His Monte Verità[8] works, centered on the early 20th-century Swiss cultural settlement, explore the site as a symbol of utopian ideals and creative experimentation.[1]

Legacy and recognition

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Massholder’s work has been recognized across Europe for its symbolic depth and stylistic range. In 1997, he received the Special Jury Prize at the Montreux Arts Festival.[9]His limited-edition illustrations of Vincent van Gogh’s letters[10] are part of the collections of the Musée d’Art Moderne et d’Art Contemporain (MAMAC) in Nice and the Centre Georges Pompidou in Paris. Records from Artprice.com list 48 auctions of his works[11], underscoring his presence in the contemporary art market. Pieces ranging from Le Baiser (1993) to Monte Verità (2014) continue to attract collectors and critical attention.

Continued artistic practice

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Massholder continues to regard art as an evolving journey rather than a fixed destination. He uses his practice to explore life’s complexities and to forge connections between seemingly unrelated ideas. Motivated by a persistent drive to express the inexpressible, he maintains a prolific output, ensuring that his work remains dynamic and relevant.[1]

Based on the French Riviera, Massholder actively creates across multiple mediums, continually expanding the scope of his artistic expression. His career reflects a progression from a young traveller seeking inspiration to an established artist whose work invites viewers to reconsider their perception of the world. Through his ongoing creations, Massholder emphasizes that art is not only a reflection of life but also a transformative force capable of shaping understanding. [1]

Mystic Reality

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Fereshte Moosavi, an independent curator and educator, writes: "Mystic Reality is a solo exhibition of paintings by French-German artist Eric Massholder. In this body of work, Massholder is taking a distinct direction towards an eventful narrational approach.

Through considerably large-scale paintings he invites the audience into ceremonial events in which dance, music, drink, and food display a festive gathering. These events are exceptional as the main guests and the hosts are aliens. Non-human figures have been the subject of many works by Massholder, from Père Puissant et Son Fil, to Mickey Ganesh and the Alien series he has been creating characters in various forms. Yet, in these works he both portrays his interpretation of how aliens could look like, and shares his imagination of the way in which they may live together and socialize."[12]

Alien Apocalypse

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Apocalypse series was created by Eric Massholder between 2005 and 2015. Fanny Curtat, Doctor in Art History, Independent Curator writes: "Crises seem to define our day and age: from ecology to politics, to economy, religion, and science. For several years now, the once proclaimed end of a world has taken on the appearance of the end of the world. Faced with the inexorable march of time, the Apocalypse series (2005-2015) from artist Eric Massholder presents itself as a series of revelations: a vision of the future tinged with acid and steeped in complexities; a portrait of humanity both celebrated and castigated.

With a mordant and irreverent humor, Massholder shapes his work into a mirror for our own vanity: showing humanity on the edge of an abyss that can no longer be blamed on divine forces but that remains entirely imputable to the hubris of Modernity and the Anthropocene. From the dollar sign - image of hegemonic economic growth - to the dragon - symbol of strength as well as destruction - Apocalypse blends the magistral with the monstruous, the divine with the diabolical, the banal with the grandiose, the sacred with the profane.

Filling the pictorial surface with a symbolic language made of sinuous forms and endless connections, Massholder echoes the entangled causes and uncertain effects that encompass our contemporaneity. Faced with the unknown that defines these gloom-ridden times, he shapes the unexpected and gives form to radical otherness through the creation of strange characters: aliens. Verging on the absurd, both familiar yet unusual, these enigmatic alien guides pose as the supreme alterity, in the face of which we are invited to find a reflection of ourselves. Set in an all-over evoking as much an anguish and a fear of the void as a fierce playfulness, these aliens - symbol of our power of creation as well as our potential for destruction - illustrate this mixture of dreams and nightmares within which Massholder invites us to dance to avoid sinking."[13]

Monte Verita

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Among all of Eric's works and different series, Monte Verità illustrates more than ever how relevant his art is and how strongly it resonates with this day ang age. Visionary universe tinged with utopias and shattered dreams, the Monte Verità presented to us underlines the need for a deeper connection to the world around us. Awareness, return to basics, insightful introspection: this important series created by Eric confronts us as much as it guides us through this "hill of truth".[14]

As written by Fanny Curtat, Doctor in Art History, Independent Curator: "A mythical site nestled in a Swiss canton. This "hill of truth" has been an object of fascination for many since the end of the 19th century. There, perched above the village of Ascona, a group of young idealists embittered by the rise of capitalism, disillusioned by the failure of communism, and disenchanted by the slow decay of religious dogmatism, imagined a genuine utopia. Anticipating the collapse of modernity, they set out to create an alternative lifestyle, free of all constraints: a community based on sharing resources and a deepened connexion with nature. Veganism, nudism, matriarchy, spirituality; no idea was too bold for these unconventional minds. This utopia of freedom and emancipation attracted some of the most preeminent artists and intellectuals of the 20th century. Friedrich Nietzsche, Paul Klee, Rudolf Steiner, Carl Gustav Jung: these are but a few of the many seduced by this idea of a different truth, a truer truth.

Magnetic both geologically and metaphorically, this hill in turn attracted Eric Massholder. However, the series of paintings to which Monte Verità lends its name reveals a somewhat more sombre landscape than its utopian alter ego. Expressive brushstrokes, strong lines, dark shades, bold colours; nothing in these images suggests a peaceful paradise. Instead, we are presented with an almost nightmarish vision of a world in turmoil. Sometimes appearing in the form of a spilled ice cream cone, this hill of truth hints at the broken illusions and the sour disappointment left in the wake of the previous utopias' failures. Nevertheless, hope survives and a glimmer of dawn seems to shine on this unfinished universe. From the ashes of broken dreams, Monte Verita renews the desire for change that inspired these 19th century pioneers to move mountains.

Through Eric Massholder's pictural exploration or his collaboration with author Jean-Luc Bruyas, Monte Verità offers echoes of past hopes to our world in crisis. Combining antiquated utopias, immutable hopes and emerging dreams, Monte Verità reveals itself to be a place filled with mysteries and brimming with possibilities."[15]

For Vincent - Endless Connections

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As written by Fanny Curtat, Doctor in Art History, Independent Curator in May 2025, in Montreal: “Much like a certain starry night, with its eerie light and whirling sky, Eric Massholder's portraits do not strive toward realism. The connexion between these portraits and Vincent van Gogh, model for this series, is not achieved through the perfect reproduction of the subject's features. Accuracy makes way for another kind of relationship. in which the master's physiognomy intertwines with his work. Plasticity becomes identity. For Vincent - Timeless Connexions shows us the man through the work, inviting us to recognize Van Gogh as much by his suggested profile as by the intense brushwork, the opulent colors, or the perpetually swirling surfaces.

Thus Van Gogh appears before us just as he disappears: through the artist's touch. Where the master is revealed, it is impossible no to see the disciple. Two creative forces meet, merge, and compete on the same surface. We find both artists fuelled by a creative frenzy, evidenced by the sheer volume of pieces in Massholder's series, and mirrored in Van Gogh's frenetic creative pace. The same feeling of urgency inhabits their work, with both artists showing a similar compulsion to represent what others can't see.

With this surplus of visual ekphrasis, Massholder both echoes the master and reveals himself. By emulating Van Gogh's work, he demonstrates a boundless desire for exploration. Through drawing, painting, and composite sculpture, this Franco-German artist pushes this Dutch painter's quest even further. Seemingly motivated by the same obsession with style that galvanized Van Gogh and modernism, Massholder also shifts from style to style, from one medium to another. From Surrealism to Impressionism, onward through Expressionism and a hint of Dada, Massholder wields them one by one, as if to test their value, their timeliness and relevance.

Massholder thus touches upon an Avant-Garde that hasn't given up on trying to manoeuvre through the folly of its surroundings. Beyond simply paying homage to the work of a towering precursor, this series also attempts to update that work. While Van Gogh and the budding Avant-Garde were struggling with dizzying industrial development and academic dogmatism, Massholder anchors himself in our contemporaneity. For Vincent thus shuffles through styles, in an unequivocal challenge to the indolence of the modern-day gaze, increasingly dulled by an impulsive and unrestrained visual culture.

Despite the avalanche of images that defines our time, despite a world that seems to be losing itself in its digital double, Massholder's work shows us that the pursuit of reality is not over. The thirst for poetry is not quenched. And just as Van Gogh's luminous painting appear to leap from their frames, Massholder's series seems to fully jump out at us, monopolizing our gaze, compelling us to look.

Richly colored, dramatically drawn and driven by emotion, this work is not demure. It doesn't whisper, it screams and shouts. The saturated surfaces swirl and fight against their edges, enticing the onlooker to stay a while in this heterogeneous reality. Like Van Gogh's landscapes, Massholder's portraits can be disorienting, though always making just enough sense for us not to completely lose our footing. What better way to pay tribute to the master?”[16]

Exhibitions and limited editions[17]

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Solo exhibitons

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  • 2025 – For Vincent – Endless Connections, Kamil Art Gallery, Monaco[18]
  • 2024 – Mystic Reality, Kamil Art Gallery, Monaco[19]
  • 2024 – Moustique, Galerie Quadrige, Nice, France
  • 2023 – Sagesse Grecque, Galerie Quadrige, Nice, France
  • 2022 – Pointe Douce et Verres Tintés, Galerie Quadrige, Nice, France[20]
  • 2022 – Alien Apocalypse, Kamil Art Gallery, Monaco
  • 2021 – Eric Massholder, Galerie Quadrige, Nice, France
  • 2021 – Monte Verità, Kamil Art Gallery, Monaco[21]
  • 2020 – Monte Verità, Sholeh Abghari Art Gallery, Marbella, Spain[22]
  • 2020 – Femmes aux Lunettes, Galerie Quadrige, Nice, France
  • 2019 – ENEA Tree Museum, Zurich, Switzerland
  • 2019 – Stalla Madulain, Madulain, Switzerland
  • 2019 – Apokalypse, Galerie Z22, Berlin, Germany[23]
  • 2019 – Monte Verità, Galerie Quadrige, Nice, France
  • 2018 – Popolation, Galerie Z22, Berlin, Germany
  • 2018 – Modefication: La Mode et la Mort, Galerie Z22, Berlin, Germany[24]
  • 2017 – Eric Massholder, Galerie Quadrige, Nice, France
  • 2017 – Der Denker – Le Penseur, Artloftandmore, Berlin, Germany
  • 2016 – Massholder, Galerie du Forum Kamil, Monaco
  • 2016 – Femme aux Lunettes, Galerie Z22, Berlin, Germany
  • 2016 – Femme aux Lunettes, Galerie du Forum Kamil, Monaco
  • 2016 – Odyssée, Galerie Quadrige, Nice, France
  • 2015 – Femme aux Lunettes, Artloftandmore, Dossenheim, Germany
  • 2015 – Hommage à Vincent van Gogh, Artloftandmore, Berlin, Germany[25]
  • 2015 – Père puissant et son fils, Artloftandmore, Dossenheim, Germany
  • 2015 – Père puissant et son Fils, Galerie Quadrige, Nice, France
  • 2015 – Monte Verità, Artloftandmore, Dossenheim, Germany
  • 2015 – Monte Verità, Galerie Z22, Berlin, Germany
  • 2013 – Mythos Mensch, Artloftandmore, Dossenheim, Germany
  • 2012 – Die Galerie, Weinheim, Germany
  • 2012 – Père puissant et son fils, Artloftandmore, Dossenheim, Germany
  • 2012 – L’Iliade, Galerie Quadrige, Nice, France
  • 2010 – Mode…Fication, Galerie du Forum Kamil, Monaco
  • 2010 – Mode…Fication, Laboratorio delle Arti Associazioni Culturale, Piacenza, Italy
  • 2010 – Eric Massholder, Mannheimer Kunstverein, Mannheim, Germany
  • 2009 – Mode…Fication, Galerie Quadrige, Nice, France
  • 2007 – Le conte du serpent vert de Goethe, Galerie Quadrige, Nice, France
  • 2007 – Spacepologie, Galerie Planet Vivid, Frankfurt, Germany
  • 2007 – Massholder, Galerie Planet Vivid, Frankfurt, Germany
  • 2007 – Experimentier, aber kein Tier…, Galerie Planet Vivid, Frankfurt, Germany
  • 2007 – Aus der tiefe des seele, Thomas Dehler Haus, Berlin, Germany
  • 2007 – Politik Triff Kunst, Thomas Dehler Haus, Berlin, Germany
  • 2006 – Eric Massholder, Galerie Quadrige, Nice, France
  • 2006 – Balance, Galerie Signum Winfried Heid, Heidelberg, Germany
  • 2005 – Galerie du Parc, Braunschweig, Germany
  • 2004 – Chapelle Saint Jean-Baptiste, Saint-Jeannet, France
  • 2003 – La Divine Comédie, Galerie Quadrige, Nice, France
  • 2001 – Prix Spécial du Jury au Festival d’Art à Montreux, Montreux, Switzerland
  • 2000 – Galerie Quadrige, Nice, France
  • 1999 – Galerie Quadrige, Nice, France
  • 1999 – Galleria Percosi d’Arte, Venice, Italy
  • 1998 – Eric Massholder, Galerie Quadrige, Centre du Palais, Nice, France
  • 1995 – Landestheater Memmingen, Memmingen, Germany
  • 1995 – Salon International d’Art Contemporain de Strasbourg, Strasbourg, France
  • 1992 – Quernheim Fine Arts, Monaco
  • 1992 – Galerie Nocera-Hanin, Paris, France
  • 1991 – Festival des Arts, Beaulieu-sur-Mer, France
  • 1991 – Sole Tuna Artfair, Stockholm, Sweden
  • 1989 – HS Galerie, Heidelberg, Germany
  • 1987 – HS Galerie, Heidelberg, Germany
  • 1986 – Galerie Krivy, Nice, France

Group exhibitions

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  • 2022 - 10th International Biennale for the Artist's Book, Bibliotheca Alexandrina, Alexandria, Egypt[26]
  • 2022 – Die Werkschau #2 – Malerei, Zeichnungen und Mehr, Galerie Z22, Berlin, Germany[27]
  • 2022 – Die Werkschau #1 – Skulpturen, Objekte und Andere Dinge, Galerie Z22, Berlin, Germany[28]
  • 2021 – Moi Je, Biennale de l’UMAM – Union Méditerranéenne pour l’Art Moderne, Château-musée Grimaldi, Cagnes-sur-Mer, France[29]
  • 2020 – Through Spatiality – Drawings, Stalla Madulain, Switzerland
  • 2019 – Ode à la Vie, BACS – Biennale d’Art Contemporain Sacré, Menton, France
  • 2019 – Position Red, Galerie Z22, Berlin, Germany[30]
  • 2018 – Greetings from Arcadistan, Galerie Z22, Berlin, Germany[31]
  • 2017 – Tête à Tête, Massholder – Fischer – Lee, Galerie Z22, Berlin, Germany[32]
  • 2017 – Venedig in der Kunst, Städtische Galerie Ochsenhausen, Germany
  • 2017 – Sex Sells 13 Positions, Galerie Z22, Berlin, Germany
  • 2016 – 70 ans UMAM, 1946 - 2016, Menton, France
  • 2016 - 7th International Biennale for the Artist's Book, Bibliotheca Alexandrina, Alexandria, Egypt
  • 2016 - M&M-Projekt, No.2, Artloftandmore, Berlin, Germany
  • 2015 - Die Galerie, Weinheim, Germany
  • 2014 - 6th International Biennale for the Artist's Book, Bibliotheca Alexandrina, Alexandria, Egypt
  • 2013 - Fight Aids Monaco auction sale, under the High Patronage of H.S.H. Princess Stephanie di Monaco
  • 2012 - 5th International Biennale for the Artist's Book, Bibliotheca Alexandrina, Alexandria, Egypt
  • 2012 - Katalanische Meister, Wiesbaden, Germany
  • 2012 - Weg zur Kunst, Bad Soden, Germany
  • 2011 - Alternativelight, Special guest: Robert Redford, Cap d'Ail, France and Monaco
  • 2010 - 4th International Biennale for the Artist's Book, Bibliotheca Alexandrina, Alexandria, Egypt
  • 2009 – Musee Goya, Castres, France
  • 2006 – Triennale Mondiale de l'Estampe, Chamalieres, France
  • 2005 – Moderne Japanische Kunst, Schloss Heidelberg, Germany

Limited editions

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  • 2025 - Eric Massholder, Edition KAMIL
  • 2025 - Eric Massholder, For Vincent - Timeless Connections, Edition KAMIL
  • 2023 - Jean-Louis Augé, Sagesse Grecque, illustrated by Eric Massholder, La Diane Française[33]
  • 2022 - Jean-Luc Bruyas, Pointe douce et verres teintes, illustrated by Eric Massholder, La Diane Française.
  • 2021 - L'Iliade & L'Odyssée, La Diane Française.[34]
  • 2021 - Alain Freixe, Ophidie Dance, illustrated by Eric Massholder, La Diane Française.

References

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  1. ^ a b c d e f g h i j k l m n Kamil (July 2025). Eric Massholder (Limited ed.). Kamil. pp. 18, 19. ISBN 9782909419251.
  2. ^ "Eric Massholder honours van Gogh with vibrant Larvotto exhibition". 16 July 2025.
  3. ^ "Expositions".
  4. ^ "MASSHOLDER - Kamil Interior Design and Art Gallery Monaco". 14 December 2016.
  5. ^ "Anne Lettrée, une femme hors du commun, une femme engagée - Monsieur Légionnaire".
  6. ^ "Instagram".
  7. ^ Kamil. Eric Massholder - Monte Verita (Limited ed.). Kamil. p. 3. ISBN 9782909419190.
  8. ^ "Monte Verità".
  9. ^ Kamil (July 2025). Eric Massholder (Limited ed.). Kamil. p. 19. ISBN 9782909419251.
  10. ^ Kamil (2025). "Eric Massholder - For Vincent - Endless Connections" (ISBN: 978-2-909419-26-8). © Kamil.
  11. ^ "artprice.com, the world leader in Art market information". www.artprice.com.
  12. ^ Kamil (2024). Eric Massholder - Mystic Reality (Limited ed.). Kamil. p. 5. ISBN 9782909419237.
  13. ^ Kamil (2022). Eric Massholder - Alien Apocalypse (Limited ed.). Kamil. p. 7. ISBN 9782909419206.
  14. ^ Kamil. Eric Massholder - Alien Monte Verita (Limited ed.). Kamil. p. 3. ISBN 9782909419190.
  15. ^ Kamil. Eric Massholder - Alien Monte Verita (Limited ed.). Kamil. p. 5. ISBN 9782909419190.
  16. ^ Kamil (July 2025). Eric Massholder - For Vincent - Endless Connections (Limited ed.). Kamil. pp. 12, 13. ISBN 9782909419268.
  17. ^ Kamil (July 2025). Eric Massholder (Limited ed.). Kamil. pp. 393–420. ISBN 9782909419251.
  18. ^ "Kamil Art Gallery: Massholder Rende Omaggio a van Gogh". 11 July 2025.
  19. ^ "Eric Massholder expose à la Kamil Art Gallery, jusqu'au 12 août - Monaco Hebdo". 27 July 2024.
  20. ^ "Exposition d'Eric Massholder | Galerie QVADRIGE - la Diane Française".
  21. ^ "Monaco, Monaco. 13th July, 2021. Monaco, Monte-Carlo - July 13, 2021: Monaco Art Week with german Artist Eric Massholder and his Artwork Series "Monte Verita" at Kamil Art Gallery Credit: Dpa/Alamy Live News Stock Photo - Alamy".
  22. ^ "Eric Massholder".
  23. ^ "Eric Massholder".
  24. ^ "Ausstellung Eric Massholder - Modefication - Galerie Z22 | ART at Berlin". 16 February 2018.
  25. ^ "Eric Massholder - Artloftandmore - ART at Berlin". 14 November 2015.
  26. ^ https://www.bibalex.org/Attachments/UploadedFiles/files/ALL%20Book%201.pdf [bare URL PDF]
  27. ^ "Ausstellung die Werkschau 2022 #2 – Galerie Z22 | ART at Berlin". 31 May 2022.
  28. ^ "Ausstellung die Werkschau 2022 #1 – Galerie Z22 | ART at Berlin". 2 February 2022.
  29. ^ "Biennale de l'UMAM".
  30. ^ "Position Red | Exhibitions | MutualArt".
  31. ^ "Kai Teichert + Eric Massholder – Galerie Z22 | ART at Berlin". 8 November 2018.
  32. ^ "Exhibition: Tête-à-Tête - Galerie Z22 | ART at Berlin". 8 November 2017.
  33. ^ "Sagesse Grecque. – Jean-Louis Augé". 14 May 2023.
  34. ^ "L'Iliade et l'Odyssée | Galerie QVADRIGE - la Diane Française".