Draft:Overture in D major (Yamada)
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| Overture in D major | |
|---|---|
| by Kōsaku Yamada | |
 Yamada in 1910 | |
| Key | D major |
| Period | Romanticism |
| Genre | Overture |
| Composed | 1912 |
| Published | 1997 |
| Publisher | Shunjusha Publishing Company |
| Duration | 3 minutes |
| Movements | 1 |
| Premiere | |
| Date | May 23, 1915 |
| Location | Imperial Theatre, Tokyo |
| Conductor | The composer |
| Performers | Tokyo Philharmonic Society |
The Overture in D major is an overture written by Japanese composer Kōsaku Yamada in 1912. Written during his stay in Germany at the Prussian Academy of Arts, the work is closely modelled after the German romantic tradition in both language and form. The overture is notable for being the first orchestral piece written by a Japanese composer.
Background
[edit]With the beginning of the Meiji era, Japan quickly transformed from a feudal society to a modern nation state.[1] As part of these changes, the country was widely Westernized, including its music.[2] The Japanese government invited and hired musicians, composers and educators as part of the modernization program, such as Luther Whiting Mason, Franz Eckert, Rudolf Dittrich and John William Fenton, among others.[3]
In 1875, Japanese educator Isawa Shūji travelled to the United States to study Western music. After his return in 1879 he established the Music Investigation Agency, a national research centre focused on Western music. Its main objective was to modernize Japanese music as well as its composition, performance, and educational techniques.[4] In 1887 it became the Tokyo School of Music (now Tokyo University of the Arts), the first formal musical institution of the country.[3] A division then formed between Japanese musicians and composers; those who remained within the Japanese tradition, and those who not only studied Western music, but began to imitate such styles. With the beginning of the 20th century, and specially during the Taishō era, elements of traditional Japanese music and Western classical music were gradually synthesized.[5]
Reflecting this Westernization process, Yamada had grown exposed to the newly introduced Western military marches, as well as the protestant hymns of his mother's church.[6] He began his music education in 1904 at the Tokyo School of Music, under German composers August Junker and Heinrich Werkmeister. In 1910, and thanks to the patronage of Japanese industrialist Koyata Iwasaki,[6] Yamada moved to Germany where he enrolled in the Prussian Academy of Arts and studied composition under Max Bruch and Karl Leopold Wolf. There he was the first Japanese composer to write orchestral music in genres such as the overture, symphony and symphonic poem.[7]
Composition and form
[edit]Composition
[edit]The piece was finished in Berlin on 22 March 1912 as an academy exercise, being the first piece of orchestral music written by a Japanese composer.[8][9] It closely follows the style of early Germanic romanticism, as represented by composers such as Felix Mendelssohn and Robert Schumann.[8] After graduating and due to the lack of performance opportunities in Germany, Yamada returned to Japan in 1913, hoping to return soon and establish in Europe. The outbreak of the war changed his plans, and from then on he dedicated himself to support Japanese classical music.[7]
The piece was premiered at the Imperial Theatre on 23 May 1915, performed by the Tokyo Philharmonic Society conducted by the composer in the orchestra's first public rehearsal.[10] The original score has since been lost, possibly destroyed by the bombardments of Tokyo during World War II, which destroyed most of the composer's manuscripts. Only a third-party copy of the piece was conserved, which was published in 1997 by the Shunjusha Publishing Company as part of the first volume of an anthology of works by Yamada. This edition was filled with mistakes and discrepancies in articulation between the parts. An authoritative edition by Craftone Editions was published in 2016, which aimed to resolve these issues.[8]
Form
[edit]Structured in form of a sonatina, it bears the tempo mark allegro assai. It begins with a rhythmic main theme in D major. The second theme, in the dominant key of A major, is more melodic and gallant in character, presented with soft staccato notes and spiced with chromaticism. There is no development section, but instead a short transition, which leads to the recapitulation of the themes in the home key of D major. The overture then ends with a solemn coda.[9] Japanese music critic Morihide Katayama described the piece as "a kind of challenge by the composer to Japanese traditional music" and "a bold step for Japanese musical westernization".[9]
Instrumentation
[edit]The work is very modestly scored for the standards of the time.[8]
- Violins I
- Violins II
- Violas
- Violoncellos
- Double basses
Recordings
[edit]| Conductor | Orchestra | Recording date | Formats | Labels | References |
|---|---|---|---|---|---|
| Takuo Yuasa | Ulster Orchestra | 2001, released 2004 | CD / Digital | Naxos Records | [11] |
References
[edit]- ^ Dolan & Worden 1992, p. 372.
- ^ Tokita, Alison (2014). "Bi-musicality in modern Japanese culture". International Journal of Bilingualism. 18 (2). Sage Publishing: 161 (159–174). doi:10.1177/1367006912458394. Retrieved 8 April 2025.
- ^ a b Takeshi n.d.f.
- ^ Holderer 2009, p. 6.
- ^ Dolan & Worden 1992, p. 164.
- ^ a b Holderer 2009, p. 8.
- ^ a b Katayama, Morihide. "Kosaku Yamada (1886–1965)". Naxos Records. Archived from the original on 14 December 2018. Retrieved 8 April 2025.
- ^ a b c d Craftone n.d.f.
- ^ a b c Katayama 2004.
- ^ Toshisaburō, Miura (1931). 本邦洋楽変遷史 [History of changes in Japanese and Western music] (in Japanese). Tokyo, Japan: 日東書院. p. 807.
- ^ Herman, Michael (2012–24). Ellis, Stephen (ed.). "Asian Symphonies: A Discography of CDs And LPs" (PDF). Musicweb International. pp. 46–47. Retrieved 9 April 2025.
Sources
- Dolan, Ronald E; Worden, Robert L, eds. (1992). Japan: a country study. Japan: Federal Research Division. p. 372. ISBN 9780844407319. Retrieved 8 April 2025.
- Holderer, Michael J. (2009). "Japanese Western Classical Music from the Meiji to the Modern Era – Lecture Document" (PDF). University of Texas at Austin. Archived (PDF) from the original on 24 August 2016. Retrieved 15 September 2017.
- Katayama, Morihide (2004). "Booklet notes for the Naxos Recording". Naxos Records. Retrieved 9 April 2025.
- Takeshi, Kensho (n.d.f). "Music Education in Japan (1868–1944)". Tokyo Gakugei University. Archived from the original on 11 June 2008. Retrieved 9 April 2025.
- 序曲ニ長調 [Overture in D major]. Craftone Edition (in Japanese). Japan. Retrieved 17 August 2025.
