Victim Five

Victim Five
Directed byRobert Lynn
Screenplay byPeter Yeldham
Story byPeter Welbeck
Produced byArthur "Skip" Steloff
Starring
CinematographyNicolas Roeg
Edited byJohn Trumper
Music byJohnny Douglas
Production
company
Towers of London Productions
Distributed byBritish Lion Films
Release dates
  • 10 July 1964 (1964-07-10) (West Germany)
  • 19 May 1965 (1965-05-19) (United States)
Running time
88 minutes
CountryUnited Kingdom
LanguageEnglish

Victim Five (also known as Code 7, Victim 5! and Code Seven, Victim Five),[1] is a 1964 British crime film directed by Robert Lynn and starring Lex Barker, Ronald Fraser, Ann Smyrner, and Walter Rilla.[2][3] It was produced by Harry Alan Towers and US television producer Arthur "Skip" Steloff[4] and was shot in Cape Town in Technicolor and Techniscope. The cinematographer was Nicolas Roeg.

Plot

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New York City private detective Steve Martin is hired for protection by Wexler, a wealthy German living in Cape Town. After Wexler's butler is murdered and an assassination attempt is made on Martin and Wexler's secretary Helga, Martin discovers a photograph of four people, including Wexler and his butler, that indicates that all those in the picture are marked for death and there will be five victims.

Cast

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Critical reception

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The New York Times praised "fine views of Cape Town" but thought the film was not "necessary".[5]

The Monthly Film Bulletin wrote: "The basic narrative is one of the classic old-style murder thrillers of the kind perfected by Edgar Wallace and Philip Macdonald, and is efficiently worked out. Most of the acting is unremarkable, but what undoubtedly heightens the film's interest is the large variety of South African locations, often spectacular, and well integrated into the story."[6]

Variety wrote: "Poor man's James Bond has plenty of action but little wit. Still another "takeoff" on the successful James Bond films, this British-produced but South African-filmed variation has enough action and scenic beauty to enable it to do well in the thriller market. These assets aren't enough, however, to expect much more than routine success by today's more demanding standards. Originally titled Table Bay, a reference to its scenic Capetown background, producer Harry Alan Towers and director Robert Lynn have attempted to pad out a weak script with much emphasis on violence, sex and comedy. The photogenic backdrop, which includes sidetrips into a fantastic cavern, ostrich farms, big game country and beaucoup bathing beaches, is film's chief asset, helped by a good comedy performamce by Ronald Fraser. ... Nicholas Roeg and Egil S. Woxholt's color camerawork is very complimentary to the country."[7]

References

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  1. ^ p. 237 Armes, Roy Dictionary of African Filmmakers Indiana University Press (July 11, 2008)
  2. ^ "Victim Five". British Film Institute Collections Search. Retrieved 14 February 2024.
  3. ^ "Victim Five (1964)". BFI. Archived from the original on 7 February 2009.
  4. ^ p. 28 Kane, Arnold My Meteoric Rise To Obscurity We Publish Books (August 14, 2008)
  5. ^ "Stars in British-Made 'Die! Die! My Darling!'" By A.H. Weiler. New York Times 20 May 1965: 52.
  6. ^ "Victim Five". The Monthly Film Bulletin. 32 (372): 60. 1 January 1965. ProQuest 1305833378.
  7. ^ "Victim Five". Variety. 236 (13): 6. 18 November 1964. ProQuest 962968970.
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