Portal:Myths
The Myths Portal


Myth is a genre of folklore consisting primarily of narratives that play a fundamental role in a society. For scholars, this is totally different from the ordinary sense of the term myth, meaning a belief that is not true, as the veracity of a piece of folklore is entirely irrelevant to determining whether it constitutes a myth.
Myths are often endorsed by religious and secular authorities, and may be natural or supernatural in character. Many societies group their myths, legends, and history together, considering myths and legends to be factual accounts of their remote past. In particular, creation myths take place in a primordial age when the world had not achieved its later form. Origin myths explain how a society's customs, institutions, and taboos were established and sanctified. National myths are narratives about a nation's past that symbolize the nation's values. There is a complex relationship between recital of myths and the enactment of rituals. (Full article...)
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Kangiten or Kankiten (Japanese: 歓喜天, "god of bliss"; Sanskrit (IAST): Nandikeśvara), also known as Binayaka (毘那夜迦; Skt. Vināyaka), Ganabachi (誐那鉢底, alternatively Ganahachi or Ganahattei; Skt. Gaṇapati), or more commonly, Shōten or Shōden (聖天, lit. "sacred god" or "noble god"), is a deva (ten) venerated mainly in the Shingon and Tendai schools of Japanese Buddhism.
Although Kangiten (Shōten) in the beginning was (at least at first) negatively portrayed as the creator of obstacles and the leader of a class of malignant demons who obstructed Buddhist practice called vinayakas, though later tradition made an attempt to distinguish between the vinayakas and their lord, who became seen as a manifestation of the bodhisattva Avalokiteshvara (Kannon in Japanese) and/or the buddha Vairochana. (Full article...)
Did you know? -
- ... that Reeri Yakseya, who is believed to be the most cruel and powerful demon in Sinhalese folklore, can assume 18 different apparitions?
- ... that in Chinese mythology, Wu Gang had to chop down a tree on the moon that always healed itself, forcing him to keep trying forever?
- ... that the cult of Kukulkan, the Yucatec Maya feathered serpent deity, was the first Mesoamerican religion to transcend earlier linguistic and ethnic divisions?
- ...that in Ovid's Metamorphoses, the love between Acis and Galatea ended when a jealous suitor named Polyphemus killed Acis with a boulder?
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The phoenix is a legendary immortal bird that cyclically regenerates or is otherwise born again. Originating in Greek mythology, it has analogs in many cultures, such as Egyptian and Persian mythology. Associated with the sun, a phoenix obtains new life by rising from the ashes of its predecessor. Some legends say it dies in a show of flames and combustion, while others say that it simply dies and decomposes before being born again. In the Motif-Index of Folk-Literature, a tool used by folklorists, the phoenix is classified as motif B32.
The origin of the phoenix has been attributed to Ancient Egypt by Herodotus and later 19th-century scholars, but other scholars think the Egyptian texts may have been influenced by classical folklore. Over time, the phoenix motif spread and gained a variety of new associations; Herodotus, Lucan, Pliny the Elder, Pope Clement I, Lactantius, Ovid, and Isidore of Seville are among those who have contributed to the retelling and transmission of the phoenix motif. Over time, extending beyond its origins, the phoenix could variously "symbolize renewal in general as well as the sun, time, the Roman Empire, metempsychosis, consecration, resurrection, life in the heavenly Paradise, Christ, Mary, virginity, the exceptional man, and certain aspects of Christian life". Some scholars have claimed that the poem De ave phoenice may present the mythological phoenix motif as a symbol of Christ's resurrection. (Full article...)
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