Edith Maryon
Born
Louisa Edith Church Maryon

(1872-02-09)9 February 1872
London, England
Died2 May 1924(1924-05-02) (aged 52)
Notable workThe Dance of Anitra; In Memory of Theo Faiss
StyleSculptor
RelativesHerbert Maryon (brother)
Colour photograph of Edith Maryon's sculpture The Dance of Anitra
The Dance of Anitra

Louisa Edith Church Maryon (9 February 1872, in London – 2 May 1924, in Dornach, Switzerland), better known as Edith Maryon, was an English sculptor. Along with Ita Wegman, she belonged to the innermost circle of founders of anthroposophy and those around Rudolf Steiner.

Life and work

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Edith Maryon was the second of six children. Her parents were John Maryon Simeon and his wife Louisa Church who lived in London where she grew up. She attended a girls school and later went to a boarding school in the Swiss city of Geneva. During the 1890s she studied sculpture in London at the Central School of Design, and from 1896 at the Royal College of Arts. One of her professors there, Édouard Lantéri, termed Maryon and fellow student Benjamin Clemens his best students.[1] She exhibited at the Royal Academy. Her works of that period showed her leaning toward the subject of Christianity, such as a model of Michael, the relief The Seeker of Divine Wisdom and The Cross of Golgotha.[2]

Maryon met Rudolf Steiner in 1912/13 and after the summer of 1914 she moved to Dornach. She worked with Steiner on the construction of the first Goetheanum, and with him on the modelling and carving of the wooden sculpture The Representative of Humanity. Steiner designed the nine-metre high sculpture to be placed in the first Goetheanum. Now on permanent display at the second Goetheanum, it shows a central, free-standing Christ holding a balance between the beings of Lucifer and Ahriman, representing opposing tendencies of expansion and contraction.[3][4] The sculpture was intended to present, in contrast to Michelangelo's Last Judgment, Christ as mute and impersonal such that the beings that approach him must judge themselves.[5][6]

At a foundation meeting held during Christmas 1923 Steiner nominated Maryon as leader of the Section for the Plastic Arts at the Goetheanum[7] (or Sculptural Arts)[8] (German Sektion für Bildende Künste).[9] The following May, she died of tuberculosis.

References

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  1. ^ "Camden School of Art and Science". Social and Otherwise. The Holloway & Hornsey Press. No. 1507. Holloway, London. 13 December 1901. p. 5.
  2. ^ von Halle & Wilkes 2010.
  3. ^ The Representative of Humanity Between Lucifer and Ahriman, The Wooden Model at the Goetheanum, Judith von Halle, John Wilkes (2010) ISBN 9781855842397 from the German Die Holzplastik des Goetheanum (2008)[1] Archived 2 May 2014 at the Wayback Machine
  4. ^ Rudolf Steiner Christ in Relation to Lucifer and Ahriman, lecture May, 1915 [2]
  5. ^ Steiner 1980, pp. 294–295.
  6. ^ Steiner 2023, p. 253.
  7. ^ Rudolf Steiner, Constitution of the School of Spiritual Science: Its arrangement in Sections 1964, republished 2013, p. 22. ISBN 9781855843820
  8. ^ Record of Foundation meeting 1923, session of 28 December, 10 a.m. ISBN 0880101938 [3]
  9. ^ Currently known as "fine arts" or "visual arts": Bildende,[4] Archived 27 April 2014 at the Wayback Machine fine,[5][permanent dead link] visual [6] Archived 27 April 2014 at the Wayback Machine

Bibliography

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  • Translated into English as Steiner, Rudolf (2023). Dietler, Urs (ed.). The Mystery of Death: The Nature and Significance of Central Europe and the European Folk-Spirits. Collected Works of Rudolf Steiner. Vol. 159. Translated by Blaxland de-Lange, Simon. London: Rudolf Steiner Press. ISBN 978-1-85584-608-1.
  • Published online in part with translations as "The Mystery of Death: GA 159". Rudolf Steiner Archive. Steiner Online Library. Retrieved 30 September 2025. Free access icon

Further reading

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  • Translated into English as Selg, Peter (2022). Edith Maryon: Rudolf Steiner and the Sculpture of Christ in Dornach. Translated by Barton, Matthew. Forest Row: Temple Lodge Publishing. ISBN 978-1-912230-95-2.
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